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Showing posts from August, 2016

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Choose Your Own Adventure Retrospective: The Curse of Batterslea Hall by Richard Brightfield

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The Curse of Batterslea Hall  was always my favourite CYOA book – it was also, for reasons I'll get into, one of the more unusual ones. It sparked my later love of adventure games and inspired some of my sketchy early attempts at creative writing (including a thinly veiled recreation on 90s 'edutainment' program Storybook Weaver ). It also deepened my devastation when I returned home one fateful school night to discover my mum had donated my extensive CYOA collection – precious gems tremblingly unearthed from the dusty Mills and Boon-straining shelves of my local Scope – back to charity. Around twenty years later, and I took the obvious next step for a mildly lockdown-crazed 90s kid squinting down the barrel of their thirties: sourced a copy inflated by just four times the original cover price through eBay. But was it worth it, and does it still hold up? Dust off your bootcut jeans and fire up your Walkman – it's adventurin' time, 90s* style... The premise Battersl

The Mysteries of Udolpho by Ann Radcliffe Book Review: Overwritten and Tiresome but a Seminal Gothic Work

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The Mysteries of Udolpho by Ann Radcliffe , £8.99 (Oxford University Press, 9780199537419) Publication date: 1 November 2008 (first published 1794) My rating:   ★ ★ ☆ ☆ ☆ The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni. Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her. (Penguin Classics description) I don't believe in judging classic literature according to contemporary sensibilities, which makes a review of an 18th-century novel challenging. Certainly, as other reviewers have noted, Radcliffe is due credit for her pioneering Gothic novels. Her prose is strong, her landscapes and settings are imagined on a grandiose scale and, excepting a tiresome every-other-page occasion of a fainting fit, in Radcliffe's work is a prevailing